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hey guys welcome to this class on what'sgoing to be the ultimate quick start guide to guitar chordswere gonna run to everything that you need to know to get you started playing lots of songsin a lot a great sounding chords on guitar all within about i'm hoping for around30 minutes of actual learning time to follow along to lessenwe're gonna be running through the course book here so you can download andprint out your copy to full-on despite clicking on the link below it solet's get started

is actually just 10 chords that we needto really get going with all this to kinda lay down the foundation so youmay owe you may not know already beast ports but if you don'tthere's another video on the site that will explain how to perform each one indetail boats gonna run through them quickly nowso when you gonna need am secord on and notice here that i'musing my thumb to block out the 16 because it sounds bad against thecourt for example on are doesn't really work okay so it'simportant to be their voice strumming it ortiz your farm

to muted out on from there were gonna need amy di mineacourt looks like this soon nine and here again you meeting out the low estring case going to some very bad are just doesn't fit in so again youwanna get relive it and you can use they open fishinghowever that's gonna be fine on but technically the root note is thefourth street i and i'm gonna need and be mine accordwhich is one of the easy ones to learn

sounds like this do and tom you can order within his wantedto your fingers to entry %uh nightly both ways and ima need thedreaded f courts are the easiest version even ifyou can't use gonna be their trip here on the faltering second fret on the 3rd string in firstfret on the second string so it's like not really in f major 7 but you can use it as an escortsubstitute in case the other

versions are too hard few years me youwork perfectly fine with a lot songs kinda get outta jail f chord i ifyou wanna do a proper f then not the next version up indifficulty would be here where you bar the same shape features bar thesetop two strings with your for seniors who a case you have not as high if not now good meantime and when his secrets to getting that tocome out a stunning grip your guitar like a baseball bat

so that the net kinda this feeling in tothe palm at the back here she had like this baseball bat back gripmy like that am next up we going to g chorddo sure everyone knows that one %uh andthen we can eat in a minute on begins from the um to fit stream down and i'm eating out lowey it went onterrible if you include your lowey because it is a power cord be just get acleaner more pure sounding a minor on if you and meet the six train and demonym eat some kind of would be minorwhich again is really a

wanna hard courts will begins to learnagain uses visual beauty open for three namaz me on the third three ni search for a second and 1st fret sigh second-rate on the first ring seeheadline good night that's the easiest version be my normalone of the easiest ones and because if you can do your phonebook or shape that's all the better on the new years sounds a lot stronger demand a need some kinda d chord thisone obviously is the most popular

that again with the root node on the 4thstring but you can include your shift as well don't include you know we on this onceconcern really bad luck the 90s really clashes am ima gonna need andy cohen i'm reconstruct all six strings across theiri and finally in a court with your record you can order it wasfingers 234 or 12 in trini or regional citydiscretionary have the second for its a

second thing in the first finger andthen you searching on redif depends upon the size if yourfingers which version or shape you're gonna find time easiestto hold in a chord with seeking experiment with that so i'd there is a $10 essential chords that we need to get going if you don'tknow how to form any other shapes we were unable to pick it up just their i'm i've done a second video way rightto a close up and down show you how to form the cord

can step by step so i but it for this first step on your page 1 is tolearn your ten essential pretty open courts dinner next one we have to go onto is so how to organizethose courts into system case it's no point in justlearning a bunch of random courts because youdon't know how they work together all what to do with them so on the way thatwe actually organize court is by puttingthem into you keys and key is basically like little familyif courts the collection of them seven

seven courts where they all worktogether they all agree with each other in kind of like performs a little musical world thatsounds good and songs get written inside of keys there sa 24 different keys but we canstart of just by learning to love them scandal weneed to get going for ski we're going to learn is keep see and again this seven courts they'regoing to cover here so i'm you starting off with a secordobviously cuz wen qi si

9 an important to me to use d minor nine port number three-c_ mines would force and if mar court 5g i'm more than six team a minute on in court seven is be diminished on what results back and see so we know all those courts except forthe diminished one at the end and tom i'll show you how to do that nowit's gonna be the second fret on 5th

street and then the second fret on thethirteenths you skipping over string there then you going coming here on the thirdfederal fourth ring and then the third fret on second stream with the other two things has a verysymmetrical shape on would love tension because it hastritone intervals inside oven not all that tension energy getsresolved

into a place of rest when you resolveinto semen so once again you have seen its gothrough the kenyan be mine mine in the nci be diminish even c some sure he could hear how we createdlittle musical world

using those seven courts whereeverything feet in really well together the knicks key that we can 9 to youusing the courts we already learnt is keith g sir once again a stunning on the cheek wasout on a squad number one 14 now would be in a mine with 3 e's be mine on court for c board five years dean 16 in mind

17 is if shopped emissions and hewlett engineering and in school isoften gene for f sharp diminished it's thesame shade as be diminished its just starting in adifferent place here on the first fatal 243 see once youlearn your be munitions just transpose that entireshape with the first thing you now starting onthe first fatal faltering night you can have your shop dimensions these diminished shapes the 7th courtthey really don't get used the whole lot

in pop songs although the beatles didfind some really ingenious ways includingdiminished chords and pop songs which is really really cleverbut genuinely a you don't used them too much say week using them all learning the mostlyjust to be able to complete the full key on guitar so um that's kinda likestep to you once you have learnt your ten essentialshapes the next step is to organize them intothe two keys though we've just been through the keyof see

and kiev g and make sure that youmemorize those so that you don't have to look at the sheet or not like that you cannot display them frommemory once you have those two steps the next thing to adianto the mix is going to be the use of any caper or capper depending on which wayyou want to pronounce it i'm and they come in a lot of differentshapes and sizes and price points so my one hears just an example i'm and what happens isthat we can placed this somewhere on our guitar say

here on the 2nd fret news 12 place itkind of just behind the frick and i am now we can take all the courtsin the two keys that we've learnt you playthem in front of them caper position and that instantly allowsus to play in the tana new keys as i mentioned is 24 keys sofor example now we can have none my morph remove it same time one trip nowin a different key the

mmm no word about up saying on 243 nine i done do see our handy dc don't have to learn anynew court she simply media caper two different positions upand down the neck and playing in the qc and keep g now youhave i really extended-range keys that youcomplain and this is really important

because obviously not all songs are written in the key ofc you know the kia g they could be in something like a aflat or see shop you know all these different hesay using the caper re and attain courts organizedinto those hoochies using that combination gives us thepower to play in a lot of different keys in a lot of different songs simply by adding in cable into the mixso i on the next page we're going to out talk a little bitabout

how to make you courts sound perfect so what happens is that a lot or beginners am will learn the shape accord but itstill sounds awful even though the fingers are in the righti place so this three reasons normally for this many fingers you kinda as a checklist sosafer having corsi as an example alright saline on can be that im i find that you havelike a buzzing sound on wanted the strings or perhapsone industry and

is meted out in its not sounding so wat chip to check that is just to chooseyour court in and go downstream questioning i want to make sure that every streamwithin the court is sounding nice in clear casey get a full soundingcourt so the first thing is kinda obviouswhich means that you want to make sure that you're pressing down hard enough on each point o'kane for beginners ithurts you know when you start learning to play

and for this reason a lot of beginnersavoid pressing down hard because hurting their fingers but i it's a something you have topersevere with little pain barrier to go through until the calluses build up a top cityfingers and its gonna stop hurting but until then you might find some youcourts are working simply because on certain points in our actuallypressing down hard enough to make the no come out sets the first thing to check then

you wanna make sure that you're onplacing your fingers just behind the fritz wherever possiblesir within this third fret i could place my finger back here at the back or i could play said atfront and given a choice it's always better to place your fingers directly behind e-trade she can see here behind the third here on a secondhere behind the first rights here just behind for its own my c shape ispushed forward to the front rather than being at the back

and on every chord is not possible butwherever it is try to endeavor to que finished justbehind for 9 and that will help you to eliminate alot of buzzing noises that can happen if you're playing you know with yourfingers more towards the back and then be our final thing is to makesure that using the very very tips of the fingers to press down seedon't want to have kinda flattering is like this we're pressing down more here k when youpress down on the very top are beefing issue from like theseright angles

you can see kind of 90 degree angleswith your joints there and what happens is a helps to clearaway the flesh from the bottom of your fingers from impeding upon stream immediately below okc wanna make surethat you know having flatness but you're raising them up onto the very tip solution is mon sothat the flesh here you know is not beenpeeing upon the string below featuring you're like that see clearingthem out of the way so that's like a three-point checklistforgetting perfect sound in courts

so you wanna pressed down hard enoughmake sure that your fingers are at the front of the frats wherever possible and thatyou're forming these right angles with every chord shape that you holtz euclearing things out away so that's our normally if you pay thosethree rules you're going to get perfect sounding really good quotes for it everyshape that cold k salem on the next page for talk aboutnow speeding up the speed at which you can now changecourse it is very important so obviously if you can keep up with thecore changes in the song you know can be

on a plate you can be constantly left behind so the first thing to talkabout there's gonna be on court connectors and he's a point where we don't have to lift off fingersbetween courts for example if we had any minor in a some progression going to g we canafford to keep up for singer where it is between those to changesdoesn't make any sense to take it off and then just put it back down in sameplace again so a tween the minor in g we can keepour senior

for senior as an anchor point betweenthose two changes and the 60 the score connect this there you can use so obviously theirfirst money minute to gene and we also have sadie minority see me and now your second finger isable to stay where it is between those two shapes and this isgoing to help you to really speed-up the change a lot because he hada common ground already in place we also have in minutia a minor which is again the second thingyou can stay where it is

between those two changes so be mine a 2g like this reminded to seeme like this any monitor a minor like that again this is all in the am diagram see go through in really practice andperfect that said then we have from other one switch would be say a minute to see we just need to movethird finger out to get between in a minor and secord which makes itreally fast and we also have mitf

we can keep your first finger stationarybetween to core chips like this and then we also have seat ash where youcan keep your first finger stationary and is flicked up and downbetween siena like that so make sure that you arewhereof 2006 connectors and that you using themanytime you come into court questions so for example if we took say professionalg do mine me

see do the mine so here we have a lot to connect is thatwe can immediately use from gt minor my first in your area indian desi i can keep my second fingerdo and then to get a minor i just move mysurfing about on hmm and then at the end i have to changeeverything but to get back to g but

before that you know in the preceding quarter wasable to use a connector to join them a lot together which is really going to help you tospeed up your core changes if you just starting another exampleprogression we have here is going from see dude man say again let's break that down have ascene court going to f so we can keep our first thing where it is on

the man in going to a minor your firstwin against a then into a minor your second thing youcan state don't remind her back in to see yoursecond thing you can stake in said the whole progression is linkedtogether with on these cord connectors sets thefirst thing that i would recommend that you really master is learning those sixcore connectors and this can help to instantly speeduploaded court changes then the next thing we can look at is some train lines which is sadsomething similar

say for example we have any qualms going to pay me well what we could do istake everything off and you have for your first thing here would slide up okay me one fret and thenyou can place your fingers around it nanda from unique or going back down me do min slide into a mine %uh i'm you

are its kinda related to connect thisand that you never lifting of your first finger you simply sliding upand down one trait like that so can help you to get between any change and a chain i'm note example would be if we haveseen in court on i am going to dean say he will be thethird finger simply slides up on fred never leaving the string and nightconformity cord nine and then going back down to slide back down into a my

back up into t night i'm then i finally we can use a reallyreally powerful practice technique which iscalled out pressure points surfer this you gonnaneed e7 mention i'm am i get mine are hereagain the scum in a lot of different pricepoints in designs and just gives you a basic click you can now you can use and you can setthe temple to click

so this is set at around 80 beats per minute now so what happensis that you would choose any shake or change the working on you having trouble for example gettingfrom ct in minor so it's not your much name ofslowly and trying to score change summit have okay so you're able to do it in timewith imaginary bat speed and then you go up say to next pointwhich may be like chain 92 beats per minute

and then again work your way up say toyou 108 beats per minute do done so in each case you getting fasterfaster faster now at a certain point you going to youour it's open for pop it's going to be toofast for you to keep up with the michener and thats that pointwhere it all falls apart i just can't quite keep up with the match name that's your pressure point and what youwanna do is kinda write that down safe for this particular example of

ct e minor say your pressure point was140 beats per minute aunt now that you know that you can slow downimmature i'm same by 10 or 15 beats per minute and then work your wayup to the pressure point then back down and back up again see you alwaysspending the majority of the practice time in and around that pressure point andwhat happens is that your fingers start to feel pressure to make the core change in time with the mention i'm and when youintroduce that little bit of pressure to

commit teaspoon pressure gonna make your a different provementskyrocket on guitar and your or your core changesare gonna get a lot faster very quickly sorrow thantaking new coach sent spinning all the time in the world going from one to the other kind of in a relaxed wayyou want to prove very quickly she do that seems to introduce you mention i'm andthe pressure check to get to the core change

in time with the click your fingers aregonna respond to that and they're going to come to try a lotharder and your age improvement is to gonna go up a lot because at that so thats honestly the most powerfultechnique that i can give you four core changing speeds aside from usingyour connectors or using a train lines this 13 you can new pressure point witha mention i'm is really really powerful sir once againyou start off slow and you keep increasing the mention i'minto you find where to force a pop you write that down to pressure pointand you stay within

20 beats per minute okay at thatpressure point going up and down each time you practice it and by staying practicing in around a pressure pointwhere its if you under pressure to get to the core change but it's not so muchthat it becomes impossible a case its debts type a feeling that you want and whenyou spend the majority of your practice time in and around that point you canfind that you improve will start to improve muchfaster on guitar so i'm that's the final point therefore

this page next thing you want to go into is and it's making you chords sound a lot more colorful andinteresting because after a while begin a court's they stop sound compileboring okay because you're always using thesame courts insane progressions with same strumming patterns and just getstart there are some people that are doing thesame chords and progressions on guitar for five years or more than just never makeit outta beginner guitar

that's really common so i'm gonna giveyou some ways that you can break out beginning guitar and at a lot of extra depth and collar and class sophistication into your courts so are the key to do that is bylearning different family supports sir as an example here we're gonna learn major seven courts so an example safe we have seen my a regular single in c major seventh gearjust by removing the first thing you're

sounds a lot softer on i and we can on i've for my family on if that's who we havelike a team 87 time like this nine %uh you has the same sound quality wecan all city email jason more if major 7 orgy major 79 energy see how the court changes its tonalcharacter is still a ge but it's like a different colored and wealso have

this one a major 7 on and again the diagrams for these firstsix major 7 shapes he should learn are in the course book here as well so well we can get now progressionsinstead of saying gee to see normally now substitute that safer g major 72seem eighty-seven you're instantly we get a differentflavor it sounds deeper it's more musical has a bit more sophistication and classto its own

we're starting to break away out ofthese tireless begin a court that everyone else isdoing another example maybe say going from a major 72 dpi mitchison be are morris made 72 â°c in mmm now we can move on to another familylove quotes which would be -7 sandwiches have three shapes hear that

are most useful when you first get goingso we have and a may decide a minus-7 mine sounds minor but it's like the diet cokeversion of mine accordance kinda from more than sounding and for minor my the other for minor sounding more dents where the -7 some slightly more open then we have id me minus evan nancy more quality and also he munson

again the diagrams for those threequarter in that poor school so i'm can also put those into you professions to for example we could havelike and she do you the majors him on a-minus heaven the name and the last family courts to go intofor now are going to be dominant seven courts sonext page at least

the dow the 6 shapes that we need forthese ones most common the use once i let's have alook again say at a normal secord on an nc-seventeenposse dominant 7 9c changes the character the court instantly on and then we also can use it the 70 mended e7 do i'm g-seven a seven name

and b7 mine considers that the six dominant sevencourts that you shared learn again diagrams inthere for you to learn now once we have i'm sure you want toknow the whole point to this is right because again we're just learning abunch of random courts but how to actually make them useful into musical situation how tomake music using it well we can start to combine these different port families togetherto

really lift the corporations up to a newlevel so we could use a i g chord name tena -7 my need to see may 27 mine in 2d seven is amusing all the different familysupports there have a major chord with the jeans -7 chord with the a minor do major 7 chord with the scenes in a dominant seventh chord with prettynight

said by mixing these together i start toget more interesting progressions you know that the seven at the endbecause the tritone i sire %uh to resolve back into g let's look at another example will mixthem up together and this is the final one on the pagehere going from a minor nine into uf maybe seven nc may 27 nine and now any second now

ok him some show you here in already how wherei'm instantly making now corporation sound alot more musical giving them a lot more depthsimply because we're combining different families have courts togetherso first of all you can learn all your regular courts but if you want to break out a beginnerguitar at some point you have to get a bit more sophisticated with you chords

and start to combine different familysupports together miss how we add color into thesequestions index page we have more examples here love this at work say we take energycorp gonna switch the title color into gmmajor savings you need to see me seven and the same me mmm take a look at professional for nowso we have a minor

jeanine those are both regular you know quartznow we break into seem age 79 sophisticated and down into peace haven just %ah miss him %uh we can take it these are calledfamilies stepped further again and you canactually go into this really really deeply but obviously requires time so it's best to do it canstep by step by step but just as an as an example on

final one here that listed is if we havelike a really stand it begin a progression like d 19 nine any minute on so very regular court on the now we're going to add insubstitutions sorry for the tom it's that dirty we're going to add in d major seven sostephen and then said gee who use gmail 27

considers be minor we use in the minor that have been a hoodie 87 instantly you years this has a lot morefresh seriously has lot more depth to it nine 0 mmm so hope that you were able to tracethe line all the way through that sir in the verybeginning we start off by learning to 10 essentialcore chips well we didn't just learn them as randomcourts we then went into organizing them

into two keys kiev seems had seven ports in the key ofg which had seven courts to then we tookthat and we massively expanded the power byadding in a keeper replacing a guitar differentpoints up and down the neck and now all the sudden without learning any more new courts beyou could play instead of just into keys but on a different keys then we went through how to make thequality of your courts

sound much better by using itthree-point checklist because obviously is no point in holding court half the night are coming out is goingto some crap say you need to make sure that the qualityof reports is perfect see each night wringing out and from there we are able to stop developing into %umcore changing speeds so using three techniques using theconnectors night we can keep in a stationarybetween the courts me at six at those and then we had train lines between heand a

an answer pain the and finally we hadthat really powerful pressure point technique that you canuse with your mentioning and if you don't have a mission i'm iwould encourage you to buy one day not really that expensive but in the meantime you can also justsearch for an online mentioning and again on the website i've part 1there that you can use straightaways well then weenie went into you color eyes in courtto case anyone to break out of this beginner

guitar sound by getting moresophisticated with now tonal color inside the courts sir be learnt you quote families whichwere major 7th minus 7c and dominant sevens and again to organize the information igave you examples of how we could mix and match there's different court familiestogether into actual progressions you able to hear how youhad the boring begin diversion and then the new and improved moresophisticated version of that same

progression simply by including courts from theseother families so that's really and nothing from asiannear for you to you our go quite a long timein quite a long way with your the toppling you can playhundreds of songs with this information we need to do is just that perhaps it and of to the point where it becomesvery familiar almost automatic to the point we couldjust do it in you sleep and i'm i hope you've enjoyed everythingthat we've covered he remember you can

print off the course book to go along with everything all thediagrams in the progressions all the advice is written down inside their sprinted off and i am spent time inthere practicing in going through it so that you have at least the court side here but are playing i'm to quite apolished level obviously have your finger styleyour strumming that's a whole other subject i for different lesson and so ihope it's you once again that you fine enjoyed going to love this song material

and look forward to seeing you in thenext class